Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Fra Filippo Lippi 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
55950		Adoration of Child with St.Bernard	mk247 c.1463 tempera on panel(detail),55.125x51.125 in.140x130cm,uffizi,florence,ltaly
52274		Adoration of the Child with Saints	1460-65 Panel, 146 x 157 cm
52281		Announcement of the Death of the Virgin	c. 1438 Tempera on wood, 40 x 235 cm
2570		Annunciation aaa	Galleria Nazionale di Arte Antica, Rome
2567		Annunciation ff	1448-50 National Gallery, London
2569		Annunciation fffff	Galleria Doria Pamphilj, Rome
32094		Annunciation of the Death of the Virgin and Arrival of the Apostle	mk78 Florence, Uffizi,
32095		Annunciation of the Death of the Virgin and Arrival of the Apostle	mk78 Florence, Uffizi,
94648		Barbadori Altarpiece	1438 Type Tempera on panel Dimensions 208 cm x 244 cm (82 in x 96 in) cyf
53690		Bebadelsen	mk234 ca 1448-50 68x152cm
52271		Birth and Naming St John	1452-65 Fresco Duomo
2563		Coronation of the Virgin	Spoleto Cathedral
26701		Coronation of the Virgin	mk52 1439-47 Tempera on wood 200x287cm Uffizi,Florence
26702		Detail of the Coronation of the Virgin	mk52
26703		Detail of the Dormition and Assumption of the Virgin	mk52
32157		Details of Madonna and Child with Two Angels	mk78 Florence Uffizi,
32148		Details of The Adoration of the Infant jesus	mk78 Florence,Uffizi
33238		Details of Herod's Feast	mk83
32088		Details of Madonna and Child Enthroned	mk78 Rome alleria Nazionale at Palazzo Barberini.
32090		Details of Madonna and Child with Angels,St Frediano and St Augustine	mk78 Paris Louvre.
32092		Details of Madonna and Child with Angels,St Frediano and St Augustine	mk78 Paris Louvre.
32093		Details of Madonna and Child with Angels,St Frediano and St Augustine	mk78 Paris Louvre.
32085		Details of Portrait of a Woman with a Man at a Casement	mk78 New York Metropolitan Museum of Art.
32121		Details of St Bernard's Vision of the Virgin	mk78 London National Gallery
32175		Details of St John beids farewell to his parents	mk78
32100		Details of St.Nicholas Dowers Three Impoverished Maidens with his Inberitance	mk78 Florence, San Lorenzo
32150		Details of The Adoration of the Infant Jesus	mk78 Berlin Staatliche Museen Preussischer
32151		Details of The Adoration of the Infant Jesus	mk78 Berlin Staatliche Museen Preussischer
32103		Details of The Annunciation	mk78 Florence,San Lorenzo
32113		Details of The Annunciation	mk78 Rome Museo Nazionale at Palazzo
32114		Details of The Annunciation	mk78 Rome Museo Nazionale at Palazzo
32116		Details of The Annunciation	mk78 Munich Alte Pinakothek
32118		Details of The Annunciation	mk78 Rome Palazzo Doria
32142		Details of The Annunciation	mk78 London National Gallery
32188		Details of The Annunciation	mk78 Spoleto,cathedral of Santa Maria Assunta,
32117		Details of The Annuncication	mk78 Munich, Alte Pinakothek
32180		Details of The Celebration of the Relics of St Stephen and Part of the Martyrdom of St Stefano	mk78
32181		Details of The Celebration of the Relics of St Stephen and Part of the Martyrdom of St Stefano	mk78
32182		Details of The Celebration of the Relics of St Stephen and Part of the Martyrdom of St Stefano	mk78
32107		Details of The Coronation of the Virgin	mk78 Florence Uffizi
32111		Details of The Coronation of the Virgin	mk78 Vatican City Pinacoteca Vaticana
32185		Details of The Coronation of the Virgin	mk78 Spoleto,cathedral of Santa Maria Assunta,
32186		Details of The Coronation of the Virgin	mk78 Spoleto,cathedral of Santa Maria Assunta,
32144		Details of The Death of St Jerome.	mk78 Prato, Museo dell'Opera del Duomo
32177		Details of The Feast of Herod	mk78 Prato, cathedral of Santo Stefano choir chapel
32178		Details of The Feast of Herod	mk78 Prato, cathedral of Santo Stefano choir chapel
32128		Details of The Miraculous Rescue of St Placidus	mk78 Washington, National Gallery of Art
32176		Details of The Mission of St John the Bapitst	mk78
32179		Details of The Mission of St Stephen	mk78 Prato cathedral of Santo Stefano,Chior chapel
32190		Details of The Murals at Prato and Spoleto	mk78
32174		Details of the Naming of t John the Baptist	mk78
32080		Details of the Virgin Annunciat	mk78 New York
52310		Disputation with Simon Magus and Crucifixion of Peter	1481-82 Fresco Cappella Brancacci, Santa Maria del Carmine
26704		Dormiton andAssumption of the Virgin	mk52 1466-9 Fresco Cathedral of Santa Maria Assunta,Spoleto
52304		Four Saints Altarpiece	c. 1483 Wood San Michele
52275		Funeral of St Jerome	1460-65 Panel, 268 x 165 cm
33237		Herod's Feast	mk83 c.1461-1465
52273		Herod-s Banquet	1452-65 Fresco Duomo
2558		Madonna and Child	Palazzo Medici Riccardi, Florence
32070		Madonna and Child	mk78 Italy
32129		Madonna and Child	mk78 Denver, Denver Art Museum
32131		Madonna and Child	mk78 Washington National Gallery of Art.
32132		Madonna and Child	mk78 Baltimore,Walters Art Gallery.
32158		Madonna and Child	mk78 Munich,
41269		Madonna and child	mk161 Tempera with gold halos on wood transferred from the original panel
44860		Madonna and Child	mk176 c.1452 diameter 53in
59664		Madonna and Child	Madonna and Child 1440-45, tempera on panel National Gallery of Art, Washington, DC.
32086		Madonna and Child Enthroned	mk78 Rome alleria Nazionale at Palazzo Barberini.
94647		Madonna and Child Enthroned	1447 Type Tempera on panel Dimensions 114 cm x 65 cm (45 in x 26 in) cyf
32061		Madonna and Child Enthroned with Angels,a Carmelite and other Saints	mk78 Empoli,
32120		Madonna and Child Enthroned with Sts Francis,Damian,Cosmas and Anthony of Padua	mk78 Florence, Uffizi
32083		Madonna and Child Enthroned with Two Angels	mk78 New York Metropolitan Museum of Art.
32064		Madonna and Child with Angels,Saints and Donor	mk78
32091		Madonna and Child with Angels,St Frediano and St Augustine	mk78 Paris Louvre.
52277		Madonna and Child with Saints and a Worshipper	c. 1437 Panel, 49 x 38 cm
52279		Madonna and Child with St Fredianus and St Augustine	1437-38 Panel, 208 x 244 cm
2560		Madonna and Child with Stories from the Life of St.Anne	Pitti Palace, Florence
2561		Madonna and Child with Two Angels	1464 Galleria degli Uffizi, Florence
30428		Madonna and Child with Two Angels	mk68 Tempera on wood 37 1/2x24 1/2 Florence,Uffizi. 1465 ltaly
30946		Madonna and Child with Two Angels	mk68 1465
33246		Madonna and Child with Two Angels	mk83 c.1460
32156		Madonna and Child with Two Angels,	mk78 Florence Uffizi,
32074		Madonna and Child.	mk78 Salt Lake City,Utah Museum of Fine Art, University of Utah.
41954		Madonna and Son with histories of the life of Holy Ana	mk166 1452 tempera on board of wood, 135 cm of diametro
40260		Madonna and the child Enthroned with Saint john the Baptist,Victor,Bermard and Zenobius	mk156 1486 Tempera on panel 355x255cm
33239		Madonna del Ceppo	mk83 1454
52282		Madonna della Cintola	Wood Civic Museum
32056		Madonna of Humility with Angels and Carmelite Saints	mk78
32060		Madonna of Humility with Angels and Carmelite Saints	mk78 Milan
32062		Madonna of Humility with Angels and Donor,St john the Baptist,St Ansanus Cambridge,Fitzwilliam Museum.	mk78
52306		Madonna with Child and Saints	c. 1488 Oil on wood
52300		Madonna with Child, St Anthony of Padua and a Friar before 1480	Tempera on wood, 57 x 41,5 cm
52278		Man of Sorrows	Panel, 82 x 101 cm
32059		Masaccio,St Peter Enthroned with Kneeling Carmelites and Others	mk78 c.1425-6 Fresco. Florence,Santa Maria del Carmine,Brancacci Chapel
2559		Portrait of a Man and a Woman	Metropolitan Museum of Art, New York
59665		Portrait of a Man and Woman at a Casement	Portrait of a Man and Woman at a Casement , c. 1440 Metropolitan Museum of Art, New York City.
32130		portrait of a Woman	mk78 Berlin Staatliche Museen Preussischer Kulturbesitz
32084		Portrait of a Woman with a Man at a Casement	mk78 New York Metropolitan Museum of Art.
21215		Salome's Dance (mk08)	c.1460-1464 Frescok,width c,880cm Prato,Duomo,Cappella Maggior
55945		Scenes from the life of St.John the Baptist:Herod Feast	mk247 c.1457,fresco,santo stefano cathedral,prato,ltaly

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Fra Filippo Lippi

Italian 1406-1469 Fra Filippo Lippi Galleries Lippi was born in Florence to Tommaso, a butcher. Both his parents died when he was still a child. Mona Lapaccia, his aunt, took charge of the boy. In 1420 he was registered in the community of the Carmelite friars of the Carmine in Florence, where remained until 1432, taking the Carmelite vows in 1421 when he was sixteen. In his Lives of the Artists, Vasari says: "Instead of studying, he spent all his time scrawling pictures on his own books and those of others," The prior decided to give him the opportunity to learn painting. Eventually Fra Filippo quit the monastery, but it appears he was not released from his vows; in a letter dated 1439 he describes himself as the poorest friar of Florence, charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico in Legania, and made occasional, considerable profits; but his poverty seems chronic, his money being spent, according to one account, in frequent amours. Vasari relates some romantic adventures of Fra Filippo that modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, nor of his capture by Barbary pirates and enslavement in Barbary, where his skill in portrait-sketching helped to release him. From 1431 to 1437 his career is not accounted for. Portrait of a Man and Woman at a Casement , c. 1440 Metropolitan Museum of Art, New York City.In June 1456 Fra Filippo is recorded as living in Prato (near Florence) to paint frescoes in the choir of the cathedral. In 1458, while engaged in this work, he set about painting a picture for the convent chapel of S. Margherita of Prato, where he met Lucrezia Buti, the beautiful daughter of a Florentine, Francesco Buti; she was either a novice or a young lady placed under the nuns' guardianship. Lippi asked that she might be permitted to sit for the figure of the Madonna (or perhaps S. Margherita). Under that pretext, Lippi engaged in sexual relations with her, abducted her to his own house, and kept her there despite the nuns' efforts to reclaim her. The result was their son Filippino Lippi, who became a painter no less famous than his father. Such is Vasari's narrative, published less than a century after the alleged events; it is not refuted by saying, more than three centuries later, that perhaps Lippo had nothing to do with any such Lucrezia, and perhaps Lippino was his adopted son, or only an ordinary relative and scholar. The argument that two reputed portraits of Lucrezia in paintings by Lippo are not alike, one as a Madonna in a very fine picture in the Pitti gallery, and the other in the same character in a Nativity in the Louvre, comes to very little; and it is reduced to nothing when the disputant adds that the Louvre painting is probably not done by Lippi at all[clarification needed]. Besides, it appears more likely that not the Madonna in the Louvre but a S. Margaret in a picture now in the Gallery of Prato is the original portrait (according to tradition) of Lucrezia Buti. The frescoes in the choir of Prato cathedral, which depict the stories of St John the Baptist and St Stephen on the two main facing walls, are considered Fra Filippo's most important and monumental works, particularly the figure of Salome dancing, which has clear affinities with later works by Sandro Botticelli, his pupil, and Filippino Lippi, his son, as well as the scene showing the ceremonial mourning over Stephen's corpse. This latter is believed to contain a portrait of the painter, but there are various opinions as to which is the exact figure. On the end wall of the choir are S. Giovanni Gualberto and S. Alberto, while the vault has monumental representations of the four evangelists. The close of Lippi's life was spent at Spoleto, where he had been commissioned to paint, for the apse of the cathedral, scenes from the life of the Virgin. In the semidome of the apse is Christ crowning the Madonna, with angels, sibyls and prophets. This series, which is not wholly equal to the one at Prato, was completed by Fra Diamante after Lippi's death. That Lippi died in Spoleto, on or about the 8th of October 1469, is a fact; the mode of his death is a matter of dispute. It has been said that the pope granted Lippi a dispensation for marrying Lucrezia, but before the permission arrived, Lippi had been poisoned by the indignant relatives of either Lucrezia herself or some lady who had replaced her in the inconstant painter's affections. This is now generally regarded as a fable, and indeed, a vendetta upon a man aged sixty-three for a seduction committed at the age of fifty-two seems hardly plausible. Fra Filippo lies buried in Spoleto, with a monument erected to him by Lorenzo the Magnificent; he had always been zealously patronized by the Medici family, beginning with Cosimo de Medici. Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils. The altarpiece Lippi painted in 1441 for the nuns of S. Ambrogio is now a prominent attraction in the Academy of Florence, and was celebrated in Browning's well-known poem. It represents the coronation of the Virgin among angels and saints, including many Bernardine monks. One of these, placed to the right, is a half-length portrait of Lippo, pointed out by the inscription perfecit opus upon an angel's scroll. The price paid for this work in 1447 was 1200 Florentine lire, which seems surprisingly large. Selfportait with pupilsFor Germiniano Inghirami of Prato he painted the Death of St. Bernard. His principal altarpiece in this city is a Nativity in the refectory of S. Domenico ?? the Infant on the ground adored by the Virgin and Joseph, between Saints George and Dominic, in a rocky landscape, with the shepherds playing and six angels in the sky. In the Uffizi is a fine Virgin adoring the infant Christ, who is held by two angels; in the National Gallery, London, a Vision of St Bernard. The picture of the Virgin and Infant with an Angel, in this same gallery, also ascribed to Lippi, is disputable. Filippo Lippi died in 1469 while working on the frescos Storie della Vergine (Scenes of the life of the Virgin Mary, 1467 - 1469) in the apse of the Spoleto Cathedral. The Frescos show the Annunciation, the Funeral, the Adoration of the Child and the Coronation of the Virgin. A group of bystanders at the Funeral includes a self-portrait of Lippi together with his son Fillipino and his helpers Fra Diamante and Pier Matteo d'Amelia. Lippi was buried on the right side of the transept. The frescos were completed by Filippino Lippi, who also designed the funerary monument for his father. Although it was commissioned by Lorenzo de Medici it was not actually made until 1490 by an unknown Florentine sculptor.

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